A Cappella (Todd Rundgren album)
by Todd Rundgren
Released: September 16, 1985
Art pop, a cappella
Why This Album Matters
This album matters because its strongest editorial story is: Breakthrough.
The Album
However, due to Bearsville's financial struggles and founder Albert Grossman's concerns about its experimental nature and commercial viability, the album was shelved. "A Cappella" is a unique 1985 album by Todd Rundgren, notable for its unconventional approach where every sound is created solely by Rundgren's voice. This innovative technique prefigured approaches later explored by artists like Mike Patton and Björk.
Inside the Recording
Using overdubbing and an E-mu Emulator, he manipulated his voice to simulate various instruments and effects typically found in rock music, such as guitars and handclaps.
Interesting Facts
Initially completed in 1984, "A Cappella" was intended…
Initially completed in 1984, "A Cappella" was intended for release on Bearsville Records that year.
The strained relationship between Grossman and Rundgren also…
The strained relationship between Grossman and Rundgren also contributed to this decision.
Eventually, Bearsville filed for bankruptcy in 1985, leading…
Eventually, Bearsville filed for bankruptcy in 1985, leading Warner Bros.
to acquire Rundgren's contract and release "A Cappella"…
to acquire Rundgren's contract and release "A Cappella" as his first album on their label.
Prior to its official release, a bootlegged test…
Prior to its official release, a bootlegged test pressing titled "Runt A Cappella" circulated, possibly influencing Warner Bros.' decision to publish the album to prevent further unauthorized distribution.
Explore the Album
Todd Rundgren - A Cappella (Todd Rundgren album)
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Reception
Despite its innovative production and critical acclaim, "A Cappella" marked the end of Rundgren's solo releases until he returned with a new studio album in 1989.
The Complete Album Story
"A Cappella" is a unique 1985 album by Todd Rundgren, notable for its unconventional approach where every sound is created solely by Rundgren's voice. Using overdubbing and an E-mu Emulator, he manipulated his voice to simulate various instruments and effects typically found in rock music, such as guitars and handclaps. This innovative technique prefigured approaches later explored by artists like Mike Patton and Björk.
Initially completed in 1984, "A Cappella" was intended for release on Bearsville Records that year. However, due to Bearsville's financial struggles and founder Albert Grossman's concerns about its experimental nature and commercial viability, the album was shelved. The strained relationship between Grossman and Rundgren also contributed to this decision. Eventually, Bearsville filed for bankruptcy in 1985, leading Warner Bros. to acquire Rundgren's contract and release "A Cappella" as his first album on their label.
Prior to its official release, a bootlegged test pressing titled "Runt A Cappella" circulated, possibly influencing Warner Bros.' decision to publish the album to prevent further unauthorized distribution. Rhino Records later acquired the rights to release "A Cappella" on CD and for digital distribution. Despite its innovative production and critical acclaim, "A Cappella" marked the end of Rundgren's solo releases until he returned with a new studio album in 1989.
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