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The Curse of the Mekons

by The Mekons

Released: December 02, 1991

Alternative rock, post-punk

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Why This Album Matters

This album matters because its strongest editorial story is: Breakthrough.

The Album

"The Curse of the Mekons" is the Mekons' ninth studio album, released in 1991. A dispute with A&M Records delayed its U.S. release until 2001. The album explores themes like post-Cold War pessimism, capitalism, and societal decay, blending rock, country, and eclectic influences.

Stories and details

Interesting Facts

Its delayed U.S. release only deepened its cult…

Its delayed U.S. release only deepened its cult status.

The Village Voice ranked it among the top…

The Village Voice ranked it among the top 10 albums of 1991, the first import to achieve this.

Its bold artwork featured lettering written in bandleader…

Its bold artwork featured lettering written in bandleader Jon Langford's blood.

The Curse of the Mekons is hailed as…

The Curse of the Mekons is hailed as a masterpiece of anarchist-themed rock, combining biting social commentary with diverse musical styles.

Tracks explore topics like German reunification, capitalism’s dominance…

Tracks explore topics like German reunification, capitalism’s dominance, and cultural decay, with an eclectic sound that includes rock, country, reggae, and psychedelia.

Watch and listen

Explore the Album

The Mekons - The Curse of the Mekons

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Reception

Despite limited commercial success, the album remains a critical favorite. Critics widely praised the album, with The New York Times calling it "brilliant" and AllMusic ranking it among their best. Critics lauded the album’s raw emotion and complexity.

Full background

The Complete Album Story

Critics widely praised the album, with The New York Times calling it "brilliant" and AllMusic ranking it among their best. Its bold artwork featured lettering written in bandleader Jon Langford's blood. Despite limited commercial success, the album remains a critical favorite.

The Curse of the Mekons is hailed as a masterpiece of anarchist-themed rock, combining biting social commentary with diverse musical styles. Tracks explore topics like German reunification, capitalism’s dominance, and cultural decay, with an eclectic sound that includes rock, country, reggae, and psychedelia.

Critics lauded the album’s raw emotion and complexity. The Village Voice ranked it among the top 10 albums of 1991, the first import to achieve this. Robert Christgau called it "messy but radical," while The New York Times praised its muscular, tuneful rock. Its delayed U.S. release only deepened its cult status.