Strange Days

"Strange Days" is the second studio album by the Doors, released on September 25, 1967, by Elektra Records. Following the success of their self-titled debut, the band began experimenting with a mix of new and older material in early 1967. The album quickly climbed the charts, reaching number three on the US Billboard 200 and eventually earning platinum certification from the RIAA.

"Strange Days" features two notable Top 30 hit singles: "People Are Strange" and "Love Me Two Times." While it didn't achieve the same commercial success as their debut album, many, including author David V. Moskowitz, believe it was the album the band valued most for its musical and creative depth. Music journalist Stephen Davis even considers it the best Doors album and a significant artifact of the rock movement, showcasing the band's innovative sound and lyrical themes. The album's exploration of darker and more complex subjects helped solidify the Doors' unique place in rock history.

"Strange Days" was recorded during breaks from the band's tour between May and August 1967 at Sunset Sound Recorders in Hollywood, the same studio used for their debut album. With producer Paul A. Rothchild and engineer Bruce Botnick utilizing a cutting-edge 8-track recording machine, the band took advantage of the longer sessions to experiment with their sound, incorporating unusual instrumentation and innovative sonic techniques.

One standout aspect of the album is its diverse instrumentation. Unlike their first LP, "Strange Days" features elements like marimba and the Moog synthesizer, marking one of the earliest uses of synthesizers in rock music. Jim Morrison played the synthesizer, with assistance from Paul Beaver in programming.

The band also explored musique concrète techniques during the recording. For example, Ray Manzarek played the keyboard introduction to "Unhappy Girl" backwards, allowing for unique overdubs. On "Horse Latitudes," the band created atmospheric effects by manipulating the speed of tape recorder noise to evoke sounds similar to wind, showcasing their willingness to push the boundaries of conventional rock music.

These creative approaches highlight the Doors' innovative spirit and their commitment to exploring new musical landscapes, contributing to the album's lasting impact in rock history.