The Black Album by The Damned

The Black Album

by The Damned

Released: November 03, 1980

Gothic rock, punk rock, psychedelia

musicOnOff editorial

Why This Album Matters

This album matters because its strongest editorial story is: Ownership Dispute.

01

The Album

"The Black Album" is the fourth studio album by the English punk rock band the Damned, released on November 3, 1980, by Chiswick as a double album. He described songs like "Wait for the Blackout" as a blend of psych and punk with goth elements, while "Drinking About My Baby" was seen as goofy yet enjoyable. After the acquisition of the Damned's Chiswick back catalogue by Big Beat in 1981, The Black Album was reissued in August 1982 as a single album, omitting "Curtain Call" and the live tracks.

02

Inside the Recording

It features "Curtain Call" on side 3 and live tracks recorded at Shepperton Studios for Damned fan club members on side 4.

Stories and details

Interesting Facts

Captain Sensible pointed out the darker direction ofโ€ฆ

Captain Sensible pointed out the darker direction of Dave Vanian's vocals, acknowledging the goth influences present in the music.

The song "13th Floor Vendetta" paid homage toโ€ฆ

The song "13th Floor Vendetta" paid homage to the film The Abominable Dr. Phibes, opening with a line referencing the movie.

The reissue's artwork parodied The Beatles' The Whiteโ€ฆ

The reissue's artwork parodied The Beatles' The White Album, and while Vanian insisted it wasn't directly related to the Beatles, Scabies acknowledged the intention behind the plain black sleeve.

The live tracks were later released separately asโ€ฆ

The live tracks were later released separately as Live Shepperton 1980, with additional content.

The first CD reissue reinstated "Curtain Call" andโ€ฆ

The first CD reissue reinstated "Curtain Call" and the original artwork, with a 2005 double-CD reissue bringing back the live tracks.

Start listening here

Essential Tracks

01

Wait for the Blackout

He described songs like "Wait for the Blackout" as a blend of psych and punk with goth elements, while "Drinking About My Baby" was seen as goofy yet enjoyable.

02

Drinking About My Baby

He described songs like "Wait for the Blackout" as a blend of psych and punk with goth elements, while "Drinking About My Baby" was seen as goofy yet enjoyable.

03

13th Floor Vendetta

The song "13th Floor Vendetta" paid homage to the film The Abominable Dr. Phibes, opening with a line referencing the movie.

04

Curtain Call

It features "Curtain Call" on side 3 and live tracks recorded at Shepperton Studios for Damned fan club members on side 4.

Then

Reception

The album peaked at No. 29 on the UK Charts. The Black Album marked a significant change in the band's sound, with critic Ned Raggett noting that while some tracks followed the original punk vein, the band was exploring a wider range of musical styles.

Full background

The Complete Album Story

"The Black Album" is the fourth studio album by the English punk rock band the Damned, released on November 3, 1980, by Chiswick as a double album. It features "Curtain Call" on side 3 and live tracks recorded at Shepperton Studios for Damned fan club members on side 4. The album peaked at No. 29 on the UK Charts.

The Black Album marked a significant change in the band's sound, with critic Ned Raggett noting that while some tracks followed the original punk vein, the band was exploring a wider range of musical styles. He described songs like "Wait for the Blackout" as a blend of psych and punk with goth elements, while "Drinking About My Baby" was seen as goofy yet enjoyable. Captain Sensible pointed out the darker direction of Dave Vanian's vocals, acknowledging the goth influences present in the music. The song "13th Floor Vendetta" paid homage to the film The Abominable Dr. Phibes, opening with a line referencing the movie.

After the acquisition of the Damned's Chiswick back catalogue by Big Beat in 1981, The Black Album was reissued in August 1982 as a single album, omitting "Curtain Call" and the live tracks. The reissue's artwork parodied The Beatles' The White Album, and while Vanian insisted it wasn't directly related to the Beatles, Scabies acknowledged the intention behind the plain black sleeve. The live tracks were later released separately as Live Shepperton 1980, with additional content.

The first CD reissue reinstated "Curtain Call" and the original artwork, with a 2005 double-CD reissue bringing back the live tracks. The album was supported by a 28-date UK tour starting in November 1980, featuring the reformed punk band the Straps as support.

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