No Need to Argue by The Cranberries

No Need to Argue

by The Cranberries

Released: October 03, 1994

Alternative rock, jangle pop, Irish folk, post-punk

musicOnOff editorial

Why This Album Matters

This album matters because its strongest editorial story is: Breakthrough.

01

The Album

"No Need to Argue" is the second studio album by the Irish alternative rock band The Cranberries, released on 3 October 1994 through Island Records. Drummer Fergal Lawler mentioned that this musical shift was a natural progression following two years of touring, where they became accustomed to performing loudly on stage. The sofa was transported to various locations in Dublin, including Dalkey Island, and ultimately photographed in a studio where a white room was constructed for the cover shot.

02

Inside the Recording

During a week off in New York City, the band recorded demos for the album after calling producer Stephen Street, who flew in from London to help them lay down early versions of six songs at the Magic Shop recording studios.

Stories and details

Interesting Facts

The disc itself featured a photo of justโ€ฆ

The disc itself featured a photo of just the sofa in the same studio.

The album features one of the band's mostโ€ฆ

The album features one of the band's most recognized songs, "Zombie," and is noted for its darker and harsher mood compared to their debut album, Everybody Else Is Doing It, So Why Can't We?, released a year earlier.

In crafting this album, the band embraced aโ€ฆ

In crafting this album, the band embraced a rockier and heavier sound, utilizing distortion and increasing volume.

The track "Yeat's Grave" pays homage to poetโ€ฆ

The track "Yeat's Grave" pays homage to poet William Butler Yeats and includes quotes from his poem, "No Second Troy." "Zombie," written by Dolores O'Riordan, addresses the Warrington IRA bombings in 1993 that resulted in the tragic deaths of two children.

Another song, "The Icicle Melts," also written byโ€ฆ

Another song, "The Icicle Melts," also written by O'Riordan, reflects her reaction to the case of James Bulger, originally titled "The Liverpool Child" as a reference to the location of his murder.

Start listening here

Essential Tracks

01

The Icicle Melts

Another song, "The Icicle Melts," also written by O'Riordan, reflects her reaction to the case of James Bulger, originally titled "The Liverpool Child" as a reference to the location of his murder.

02

No Need To Argue

"No Need to Argue" is the second studio album by the Irish alternative rock band The Cranberries, released on 3 October 1994 through Island Records.

Then

Reception

It is the band's best-selling album, having sold 17 million copies worldwide as of 2014.

Full background

The Complete Album Story

"No Need to Argue" is the second studio album by the Irish alternative rock band The Cranberries, released on 3 October 1994 through Island Records. It is the band's best-selling album, having sold 17 million copies worldwide as of 2014. The album features one of the band's most recognized songs, "Zombie," and is noted for its darker and harsher mood compared to their debut album, Everybody Else Is Doing It, So Why Can't We?, released a year earlier.

In crafting this album, the band embraced a rockier and heavier sound, utilizing distortion and increasing volume. Drummer Fergal Lawler mentioned that this musical shift was a natural progression following two years of touring, where they became accustomed to performing loudly on stage. During a week off in New York City, the band recorded demos for the album after calling producer Stephen Street, who flew in from London to help them lay down early versions of six songs at the Magic Shop recording studios.

The track "Yeat's Grave" pays homage to poet William Butler Yeats and includes quotes from his poem, "No Second Troy." "Zombie," written by Dolores O'Riordan, addresses the Warrington IRA bombings in 1993 that resulted in the tragic deaths of two children. Another song, "The Icicle Melts," also written by O'Riordan, reflects her reaction to the case of James Bulger, originally titled "The Liverpool Child" as a reference to the location of his murder.

For the album's cover art, art director Cally collaborated with photographer Andy Earl, using the same sofa featured on their debut album. The sofa was transported to various locations in Dublin, including Dalkey Island, and ultimately photographed in a studio where a white room was constructed for the cover shot. Influenced by a recent photo of Blur, the band opted to dress in suits. Hand lettering for the design was done by Charlotte Villiers, a video coordinator at Island Records and a distant relative of the Villiers engine manufacturing family.

Each single sleeve included images of the band on the sofa in different locations, which also appeared in the album's booklet. The disc itself featured a photo of just the sofa in the same studio. This iconic sofa later appeared in the video for "Alright" by the British band Supergrass in 1995.

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