Hearts and Bones by Paul Simon

Hearts and Bones

by Paul Simon

Released: November 04, 1983

Pop, rock

musicOnOff editorial

Why This Album Matters

This album matters because its strongest editorial story is: Genre Shift.

01

The Album

However, the title track and others reflected Simon's personal experiences, particularly his relationship with actress Carrie Fisher, leading him to decide it should be a solo project. "Hearts and Bones" is the sixth solo studio album by American singer-songwriter Paul Simon, released in 1983 by Warner Bros. The album was written and recorded following Simon & Garfunkel's The Concert in Central Park in 1981 and the subsequent world tour in 1982–1983.

Stories and details

Interesting Facts

After several attempts met with silence from Simon…

After several attempts met with silence from Simon, Rogers experimented with effects on his guitar, leading to a satisfactory take despite initial concerns about synchronization.

Don Shewey of Rolling Stone described it as…

Don Shewey of Rolling Stone described it as exploring the conflict between heart and mind, with subtle songs that matched its cerebral nature.

Originally intended to be titled Think Too Much…

Originally intended to be titled Think Too Much, Simon changed it at the suggestion of Mo Ostin, president of Warner Bros.

This decision upset Garfunkel, resulting in the dissolution…

This decision upset Garfunkel, resulting in the dissolution of their partnership.

In the recording of "Think Too Much (a),"…

In the recording of "Think Too Much (a)," Steve Ferrone was brought in by Nile Rogers to record drums.

Start listening here

Essential Tracks

01

Hearts and Bones

"Hearts and Bones" is the sixth solo studio album by American singer-songwriter Paul Simon, released in 1983 by Warner Bros.

02

Think Too Much (a)

In the recording of "Think Too Much (a)," Steve Ferrone was brought in by Nile Rogers to record drums.

Then

Reception

Robert Christgau called it "a finely wrought dead end," while retrospective reviews have praised it as Simon's most personal and ambitious work. Some songs intended for Think Too Much were previewed during the tour, and Art Garfunkel collaborated with Simon in the studio, initially aiming for a new Simon & Garfunkel album. Hearts and Bones charted for 18 weeks on the Billboard 200, peaking at No. 35, but is viewed as a commercial disappointment compared to Simon's other works.

Full background

The Complete Album Story

"Hearts and Bones" is the sixth solo studio album by American singer-songwriter Paul Simon, released in 1983 by Warner Bros. Records. Originally intended to be titled Think Too Much, Simon changed it at the suggestion of Mo Ostin, president of Warner Bros. The album was written and recorded following Simon & Garfunkel's The Concert in Central Park in 1981 and the subsequent world tour in 1982–1983. Some songs intended for Think Too Much were previewed during the tour, and Art Garfunkel collaborated with Simon in the studio, initially aiming for a new Simon & Garfunkel album. However, the title track and others reflected Simon's personal experiences, particularly his relationship with actress Carrie Fisher, leading him to decide it should be a solo project. This decision upset Garfunkel, resulting in the dissolution of their partnership.

In the recording of "Think Too Much (a)," Steve Ferrone was brought in by Nile Rogers to record drums. After several attempts met with silence from Simon, Rogers experimented with effects on his guitar, leading to a satisfactory take despite initial concerns about synchronization.

Hearts and Bones charted for 18 weeks on the Billboard 200, peaking at No. 35, but is viewed as a commercial disappointment compared to Simon's other works. Reviews of the album were mixed. Don Shewey of Rolling Stone described it as exploring the conflict between heart and mind, with subtle songs that matched its cerebral nature. Robert Christgau called it "a finely wrought dead end," while retrospective reviews have praised it as Simon's most personal and ambitious work. William Ruhlmann highlighted its lyrical depth and blending of styles, and David Bloom noted its riskier approach compared to Simon's earlier albums.

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