Speak Low
by Boz Scaggs
Released: September 30, 2008
Rock, blues
The Album
Unlike other artists who merely dip into the Great American Songbook, Scaggs offers a deeply personal and thoughtful follow-up to But Beautiful. In "Speak Low", Boz Scaggs delivers a richly textured homage to jazz standards, building on his jazz-influenced roots from his days with the Steve Miller Band. This approach not only showcases Scaggs' vocal prowess but also his ability to infuse these classics with a fresh, contemporary sensibility.
Essential Tracks
She Was Too Good To Me
The album features lesser-known gems like Duke Ellington's "Do Nothing Till You Hear From Me" and Chet Baker's "She Was Too Good To Me," each reinterpreted with intricate, cerebral arrangements reminiscent of Gil Evans' 1950s charts.
Speak Low
In "Speak Low", Boz Scaggs delivers a richly textured homage to jazz standards, building on his jazz-influenced roots from his days with the Steve Miller Band.
Do Nothing Till You Hear From Me
The album features lesser-known gems like Duke Ellington's "Do Nothing Till You Hear From Me" and Chet Baker's "She Was Too Good To Me," each reinterpreted with intricate, cerebral arrangements reminiscent of Gil Evans' 1950s charts.
Explore the Album
Boz Scaggs - Speak Low
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Reception
The album features lesser-known gems like Duke Ellington's "Do Nothing Till You Hear From Me" and Chet Baker's "She Was Too Good To Me," each reinterpreted with intricate, cerebral arrangements reminiscent of Gil Evans' 1950s charts.
The Complete Album Story
In "Speak Low", Boz Scaggs delivers a richly textured homage to jazz standards, building on his jazz-influenced roots from his days with the Steve Miller Band. Unlike other artists who merely dip into the Great American Songbook, Scaggs offers a deeply personal and thoughtful follow-up to But Beautiful. The album features lesser-known gems like Duke Ellington's "Do Nothing Till You Hear From Me" and Chet Baker's "She Was Too Good To Me," each reinterpreted with intricate, cerebral arrangements reminiscent of Gil Evans' 1950s charts. This approach not only showcases Scaggs' vocal prowess but also his ability to infuse these classics with a fresh, contemporary sensibility.
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