Magazine

Overview

Magazine was a British post-punk band prominent in the late 1970s and early 1980s. The band was formed in Manchester in 1977 by former Buzzcocks member Howard Devoto. Known for their innovative fusion of punk rock's raw energy with more complex musical structures, Magazine quickly became influential in the development of the post-punk genre. Their music often combined elements of punk, rock, and new wave, characterized by intricate guitar work, layered keyboards, and Devoto's distinctive vocal style. Despite never achieving massive commercial success, Magazine crafted a unique sound that captivated both critics and a dedicated fan base.

Formation and Early Years

Magazine's formation was closely linked to the post-punk movement that arose in the wake of the initial punk explosion. Howard Devoto left Buzzcocks after their 'Spiral Scratch' EP, feeling restricted by the straightforwardness of punk rock. In late 1977, he joined forces with guitarist John McGeoch, bassist Barry Adamson, keyboardist Bob Dickinson, and drummer Martin Jackson to form Magazine. This lineup quickly crafted a distinctive sound that departed from the minimalist punk aesthetic, adding layers of complexity and musical sophistication. One of their first releases, 'Shot by Both Sides,' reflected Devoto's literary influences and set the stage for their debut album.

Career Highlights

Magazine's debut album, 'Real Life,' released in 1978, set a high bar with its inventive approach to rock music, combining punk's energy with art-rock and experimental influences. This album was well received by critics, cementing their place as pioneers of the post-punk genre. The band's follow-up album, 'Secondhand Daylight,' released in 1979, continued to showcase their evolving sound, with more emphasis on atmospheric and melodic elements. During this period, Magazine toured extensively, gaining a reputation for their dynamic live performances. They released several more albums, including 'The Correct Use of Soap' in 1980, which is often considered one of their finest works.

Musical Style

Magazine's musical style was characterized by a blend of rock's raw energy with a more polished and complex musical approach. This was a significant departure from the minimalist sound associated with punk. Guitarist John McGeoch's work is especially noted for its innovative use of effects and varied textures. The intricate interplay between keyboards and guitar gave their music a rich, layered quality. Devoto's lyrics often explored themes of existentialism and modernity, delivered with a unique vocal intensity. Their music was also notable for its experimentation with song structure, eschewing traditional pop song forms in favor of more open-ended and exploratory compositions.

Most Important Albums

Magazine's discography is marked by several critically acclaimed albums that have left a lasting impression on the post-punk landscape. 'Real Life,' their debut released in 1978, is often hailed as a landmark in post-punk music, with tracks like 'The Light Pours Out of Me' and 'Definitive Gaze' receiving particular praise. Their second album, 'Secondhand Daylight,' was noted for its atmospheric sound and introspective lyrics. 'The Correct Use of Soap,' produced by Martin Hannett, further cemented their status as innovators, featuring songs like 'A Song from Under the Floorboards' which showcased their lyrical depth and musical evolution. Each album built upon their unique sound while pushing the boundaries of the genre.

Legacy and Influence

Magazine's influence on the post-punk movement is significant, with many bands citing them as an inspiration. Their experimental approach to music making, characterized by a fusion of punk ethos and art rock sophistication, had a lasting impact on the development of the genre. Influential musicians and bands such as Radiohead and Morrissey have acknowledged their admiration for Magazine's work. The band's ability to blend thought-provoking lyrics with compelling melodies set a standard for future generations of musicians. Even after their initial disbandment in 1981, Magazine's music continued to resonate, leading to a brief reunion in 2009 and new recordings that revisited and revitalized their classic sound.