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Seven Days in Sammystown

by Wall of Voodoo

Released: February 24, 1985

Post-punk, new wave, art rock

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Why This Album Matters

This album matters because its strongest editorial story is: Experimental Album.

The Album

"Seven Days in Sammystown" is the third studio album by the American new wave band Wall of Voodoo, released in 1985. The album continues the band's distinctive blend of post-punk, new wave, and experimental rock, characterized by dark, atmospheric soundscapes and surreal lyrical imagery. It remains a testament to Wall of Voodoo's unique and innovative approach to songwriting and production, showcasing their ability to create evocative and atmospheric music that defies easy categorization.

Stories and details

Interesting Facts

Featuring tracks like "Far Side of Crazy" and…

Featuring tracks like "Far Side of Crazy" and "This Way Out," the album showcases Wall of Voodoo's knack for crafting catchy melodies alongside quirky, offbeat instrumentation.

The band's frontman, Stan Ridgway, delivers his trademark…

The band's frontman, Stan Ridgway, delivers his trademark deadpan vocals, adding to the album's eerie and enigmatic atmosphere.

Lyrically, "Seven Days in Sammystown" explores themes of…

Lyrically, "Seven Days in Sammystown" explores themes of urban alienation, societal decay, and the disintegration of the American Dream.

The album's title track, "Seven Days in Sammystown,"…

The album's title track, "Seven Days in Sammystown," paints a vivid portrait of a dystopian landscape, while songs like "Room with a View" and "Wrong Way to Hollywood" offer incisive commentary on the dark underbelly of Los Angeles.

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Essential Tracks

Far Side Of Crazy

Featuring tracks like "Far Side of Crazy" and "This Way Out," the album showcases Wall of Voodoo's knack for crafting catchy melodies alongside quirky, offbeat instrumentation.

Room With A View

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Explore the Album

Wall of Voodoo - Seven Days in Sammystown

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Then

Reception

Despite receiving mixed reviews upon its release, "Seven Days in Sammystown" has since gained a cult following among fans of alternative rock and new wave music.

Now

Legacy

Despite receiving mixed reviews upon its release, "Seven Days in Sammystown" has since gained a cult following among fans of alternative rock and new wave music.

Full background

The Complete Album Story

Featuring tracks like "Far Side of Crazy" and "This Way Out," the album showcases Wall of Voodoo's knack for crafting catchy melodies alongside quirky, offbeat instrumentation. The band's frontman, Stan Ridgway, delivers his trademark deadpan vocals, adding to the album's eerie and enigmatic atmosphere.

Lyrically, "Seven Days in Sammystown" explores themes of urban alienation, societal decay, and the disintegration of the American Dream. The album's title track, "Seven Days in Sammystown," paints a vivid portrait of a dystopian landscape, while songs like "Room with a View" and "Wrong Way to Hollywood" offer incisive commentary on the dark underbelly of Los Angeles.

Despite receiving mixed reviews upon its release, "Seven Days in Sammystown" has since gained a cult following among fans of alternative rock and new wave music. It remains a testament to Wall of Voodoo's unique and innovative approach to songwriting and production, showcasing their ability to create evocative and atmospheric music that defies easy categorization.