Dark Continent by Wall of Voodoo

Dark Continent

by Wall of Voodoo

Released: August 18, 1981

Post-punk, new wave, art rock

musicOnOff editorial

Why This Album Matters

This album matters because its strongest editorial story is: Experimental Album.

01

The Album

"Dark Continent" is the debut studio album by the American rock band Wall of Voodoo, released in 1981 by I.R.S. Records. The album is known for its unique blend of rock, new wave, and experimental sounds, setting the stage for the band's distinctive style. Greg Adams of AllMusic highlighted Dark Continent as Wall of Voodoo's greatest album, praising its strong songwriting and original style.

Stories and details

Interesting Facts

Early live versions of four tracks from Darkโ€ฆ

Early live versions of four tracks from Dark Continent Red Light, Animal Day, Back in Flesh, and Call Box (1-2-3) are included on the compilation The Index Masters.

This compilation features raw and unpolished versions ofโ€ฆ

This compilation features raw and unpolished versions of the band's early material, offering a glimpse into their development before the official release of their debut album.

In contrast, Geoff Barton of Classic Rock magazineโ€ฆ

In contrast, Geoff Barton of Classic Rock magazine found that the band's first two albums, including Dark Continent, had not aged well.

Start listening here

Essential Tracks

01

Red Light

Early live versions of four tracks from Dark Continent Red Light, Animal Day, Back in Flesh, and Call Box (1-2-3) are included on the compilation The Index Masters.

02

Animal Day

Early live versions of four tracks from Dark Continent Red Light, Animal Day, Back in Flesh, and Call Box (1-2-3) are included on the compilation The Index Masters.

03

Back In Flesh

Early live versions of four tracks from Dark Continent Red Light, Animal Day, Back in Flesh, and Call Box (1-2-3) are included on the compilation The Index Masters.

04

Call Box (1-2-3)

Early live versions of four tracks from Dark Continent Red Light, Animal Day, Back in Flesh, and Call Box (1-2-3) are included on the compilation The Index Masters.

Then

Reception

Dark Continent, the debut studio album by Wall of Voodoo, received a range of reviews upon its release and in subsequent years. Dark Continent reached number 177 on the Billboard 200 chart, reflecting a modest commercial impact despite the mixed critical reception. In a 1981 review for Trouser Press, Jon Young described the album as either a joke or a "pretentious search for meaning," critiquing it for lacking a deeper sense of absurdity and not pushing the boundaries far enough.

Full background

The Complete Album Story

"Dark Continent" is the debut studio album by the American rock band Wall of Voodoo, released in 1981 by I.R.S. Records. The album is known for its unique blend of rock, new wave, and experimental sounds, setting the stage for the band's distinctive style.

Early live versions of four tracks from Dark Continent Red Light, Animal Day, Back in Flesh, and Call Box (1-2-3) are included on the compilation The Index Masters. This compilation features raw and unpolished versions of the band's early material, offering a glimpse into their development before the official release of their debut album.

Dark Continent, the debut studio album by Wall of Voodoo, received a range of reviews upon its release and in subsequent years. In a 1981 review for Trouser Press, Jon Young described the album as either a joke or a "pretentious search for meaning," critiquing it for lacking a deeper sense of absurdity and not pushing the boundaries far enough. However, in a later review from The Trouser Press Guide to New Wave Records 1983, Young acknowledged that the album showed more polish than their debut EP and praised its colorfully morose guitar and keyboards.

In retrospective reviews, opinions vary. Greg Adams of AllMusic highlighted Dark Continent as Wall of Voodoo's greatest album, praising its strong songwriting and original style. In contrast, Geoff Barton of Classic Rock magazine found that the band's first two albums, including Dark Continent, had not aged well. Barton criticized Stan Ridgway's singing style as intensely irritating and felt the music was too clever-clever for comfort.

Dark Continent reached number 177 on the Billboard 200 chart, reflecting a modest commercial impact despite the mixed critical reception.

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