Third by Soft Machine

Third

by Soft Machine

Released: June 06, 1970

Jazz rock, progressive rock, electronic

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Why This Album Matters

This album matters because its strongest editorial story is: Experimental Album.

01

The Album

It's a double album featuring one composition per side, marking the first recording with their four-piece lineup: Mike Ratledge on keyboards, Robert Wyatt on drums and vocals, Elton Dean on saxophone, and Hugh Hopper on bass guitar. "Facelift" captures the previous five-piece lineup with Lyn Dobson on saxophone and flute alongside Ratledge, Wyatt, Hopper, and Dean. The remaining tracks feature the four-piece lineup, augmented by session musicians.

Stories and details

Interesting Facts

The album is structured with live and studio…

The album is structured with live and studio recordings.

Jimmy Hastings contributes significantly on flute and clarinet…

Jimmy Hastings contributes significantly on flute and clarinet in "Slightly All the Time," while free-jazz violinist Rab Spall appears on the coda of "Moon in June." Additionally, Nick Evans makes brief trombone appearances on "Slightly All the Time" and "Out-Bloody-Rageous," having been part of Soft Machine during their earlier seven-piece incarnation.

"Third" is noted for its ambitious compositions, intricate…

"Third" is noted for its ambitious compositions, intricate arrangements, and its pioneering blend of jazz and rock elements, setting a distinctive tone in the progressive music landscape of the time.

Start listening here

Essential Tracks

01

Slightly All The Time

Jimmy Hastings contributes significantly on flute and clarinet in "Slightly All the Time," while free-jazz violinist Rab Spall appears on the coda of "Moon in June." Additionally, Nick Evans makes brief trombone appearances on "Slightly All the Time" and "Out-Bloody-Rageous," having been part of Soft Machine during their earlier seven-piece incarnation.

02

Moon In June

Jimmy Hastings contributes significantly on flute and clarinet in "Slightly All the Time," while free-jazz violinist Rab Spall appears on the coda of "Moon in June." Additionally, Nick Evans makes brief trombone appearances on "Slightly All the Time" and "Out-Bloody-Rageous," having been part of Soft Machine during their earlier seven-piece incarnation.

03

Out-Bloody-Rageous

Jimmy Hastings contributes significantly on flute and clarinet in "Slightly All the Time," while free-jazz violinist Rab Spall appears on the coda of "Moon in June." Additionally, Nick Evans makes brief trombone appearances on "Slightly All the Time" and "Out-Bloody-Rageous," having been part of Soft Machine during their earlier seven-piece incarnation.

Now

Legacy

"Third" by Soft Machine, released in 1970, is a landmark album that showcases the band's evolution from psychedelic rock towards jazz rock and electronic music.

Full background

The Complete Album Story

"Third" by Soft Machine, released in 1970, is a landmark album that showcases the band's evolution from psychedelic rock towards jazz rock and electronic music. It's a double album featuring one composition per side, marking the first recording with their four-piece lineup: Mike Ratledge on keyboards, Robert Wyatt on drums and vocals, Elton Dean on saxophone, and Hugh Hopper on bass guitar.

The album is structured with live and studio recordings. "Facelift" captures the previous five-piece lineup with Lyn Dobson on saxophone and flute alongside Ratledge, Wyatt, Hopper, and Dean. The remaining tracks feature the four-piece lineup, augmented by session musicians. Jimmy Hastings contributes significantly on flute and clarinet in "Slightly All the Time," while free-jazz violinist Rab Spall appears on the coda of "Moon in June." Additionally, Nick Evans makes brief trombone appearances on "Slightly All the Time" and "Out-Bloody-Rageous," having been part of Soft Machine during their earlier seven-piece incarnation.

"Third" is noted for its ambitious compositions, intricate arrangements, and its pioneering blend of jazz and rock elements, setting a distinctive tone in the progressive music landscape of the time.

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