Victims of the Fury by Robin Trower

Victims of the Fury

by Robin Trower

Released: April 11, 1980

Blues Rock

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01

The Album

The album's lineup includes Robin Trower (guitar), James Dewar (vocals/bass), and Bill Lordan (drums). "Victims of the Fury" is the seventh studio album by British guitarist and songwriter Robin Trower. The ongoing collaboration between Trower and Dewar proved to be an essential element of the album's sound.

Then

Reception

Despite this, it didn't have the commercial success of some of his previous works. Key tracks on the album include "Into Money," "No Time," and the more vulnerable "Beneath the Surface." Critics have lauded the fluidity and rhythmic bounce of Trower's guitar playing throughout this album, and it maintains a significant place in his discography.

Full background

The Complete Album Story

"Victims of the Fury" is the seventh studio album by British guitarist and songwriter Robin Trower. It was released in 1980 under the Chrysalis Records label. The album saw Trower exploring a more straightforward hard rock sound compared to his previous releases, which had been infused with elements of soul, blues, and psychedelic rock.

The album inherits its name from the title track, which vividly depicts the Rhodesian Bush War. Other tracks display Robin Trower's fluid guitar techniques that have been compared to those of Jimi Hendrix.

Key tracks on the album include "Into Money," "No Time," and the more vulnerable "Beneath the Surface." Critics have lauded the fluidity and rhythmic bounce of Trower's guitar playing throughout this album, and it maintains a significant place in his discography. Despite this, it didn't have the commercial success of some of his previous works.

The album's lineup includes Robin Trower (guitar), James Dewar (vocals/bass), and Bill Lordan (drums). The ongoing collaboration between Trower and Dewar proved to be an essential element of the album's sound.

In essence, "Victims of the Fury" showcases Robin Trower's immense capabilities as a guitarist and serves as a compelling entry in the canon of late 20th-century British rock music.

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