The Stand Ins
by Okkervil River
Released: September 09, 2008
Indie rock
Why This Album Matters
This album matters because its strongest editorial story is: Breakthrough.
The Album
"The Stand Ins" indeed continues the thematic exploration of pop culture and personal struggles, closely linked with "The Stage Names." The album's tracks delve into the complexities of life on the road, the impact of celebrity culture, and the darker aspects of fame. "The Stand-Ins" is the fifth studio album by American indie rock band Okkervil River, released on September 9, 2008. The collaboration with Jonathan Meiburg and Charles Bissell adds depth to the album's sound and lyrical content, contributing to its nuanced examination of these themes.
Interesting Facts
It serves as the second half of a…
It serves as the second half of a planned double album, following The Stage Names.
The album's cover art is designed to align…
The album's cover art is designed to align with the cover of The Stage Names to create a complete picture when placed together.
The title refers to 'stand-ins,' who are used…
The title refers to 'stand-ins,' who are used in film and television to substitute for actors during technical rehearsals.
Contributing artists include Jonathan Meiburg of Shearwater and…
Contributing artists include Jonathan Meiburg of Shearwater and Charles Bissell of The Wrens.
The album continues the themes and stylistic elements…
The album continues the themes and stylistic elements of its predecessor, offering a cohesive extension of the narrative and musical ideas explored in The Stage Names.
Explore the Album
Okkervil River - The Stand Ins
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Reception
The Stand-Ins charted at No. 42 on the Billboard 200, with 11,000 copies sold.
The Complete Album Story
"The Stand-Ins" is the fifth studio album by American indie rock band Okkervil River, released on September 9, 2008. It serves as the second half of a planned double album, following The Stage Names. The title refers to 'stand-ins,' who are used in film and television to substitute for actors during technical rehearsals.
The album's cover art is designed to align with the cover of The Stage Names to create a complete picture when placed together. The Stand-Ins charted at No. 42 on the Billboard 200, with 11,000 copies sold.
Contributing artists include Jonathan Meiburg of Shearwater and Charles Bissell of The Wrens. The album continues the themes and stylistic elements of its predecessor, offering a cohesive extension of the narrative and musical ideas explored in The Stage Names.
"The Stand Ins" indeed continues the thematic exploration of pop culture and personal struggles, closely linked with "The Stage Names." The album's tracks delve into the complexities of life on the road, the impact of celebrity culture, and the darker aspects of fame. The collaboration with Jonathan Meiburg and Charles Bissell adds depth to the album's sound and lyrical content, contributing to its nuanced examination of these themes. If you have more questions or need further details, feel free to ask!
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