Bastards by Motörhead

Bastards

by Motörhead

Released: October 11, 1993

Heavy metal

musicOnOff editorial

Why This Album Matters

This album matters because its strongest editorial story is: Genre Shift.

01

The Album

The album is significant as it features the short-lived lineup of Lemmy, Würzel, Zööm, and Mikkey Dee. "Bastards" is the eleventh studio album by British rock band Motörhead, released on October 11, 1993, via ZYX Music. This album marks the first full studio appearance of drummer Mikkey Dee, who had previously played as a guest on the band's prior album.

02

Inside the Recording

It was the first of four Motörhead albums produced by Howard Benson and notably does not contain a title track.

Stories and details

Interesting Facts

The song "Born to Raise Hell" was later…

The song "Born to Raise Hell" was later re-recorded with Ice-T and Ugly Kid Joe's Whitfield Crane and featured in the film Airheads.

After the band's attempt to capitalize on the…

After the band's attempt to capitalize on the success of their previous album, 1916, with 1992's March ör Die, they returned to their roots with a louder and faster sound.

Despite being cited by the band as one…

Despite being cited by the band as one of their best works, Bastards had limited release outside Germany until its 2001 reissue by Steamhammer.

In the documentary The Guts and the Glory…

In the documentary The Guts and the Glory, guitarist Phil Campbell expresses pride in the album's hard work and production quality, while Lemmy, in his autobiography White Line Fever, reflects positively on the album but expresses disappointment over its lack of promotion by ZYX.

The album cover, created by Joe Petagno, was…

The album cover, created by Joe Petagno, was initially designed for a different title, Devils.

Start listening here

Essential Tracks

01

On Your Feet Or On Your Knees

The lyrical themes explored range from social criticism in "On Your Feet or on Your Knees," to war in "Death or Glory" and "I Am the Sword," as well as child abuse in "Don't Let Daddy Kiss Me," and the chaotic nature of life in "Burner." Lemmy has mentioned that he initially offered "Don't Let Daddy Kiss Me" to Joan Jett and Lita Ford, believing it would suit a female vocalist.

02

Burner

The lyrical themes explored range from social criticism in "On Your Feet or on Your Knees," to war in "Death or Glory" and "I Am the Sword," as well as child abuse in "Don't Let Daddy Kiss Me," and the chaotic nature of life in "Burner." Lemmy has mentioned that he initially offered "Don't Let Daddy Kiss Me" to Joan Jett and Lita Ford, believing it would suit a female vocalist.

03

Death Or Glory

The lyrical themes explored range from social criticism in "On Your Feet or on Your Knees," to war in "Death or Glory" and "I Am the Sword," as well as child abuse in "Don't Let Daddy Kiss Me," and the chaotic nature of life in "Burner." Lemmy has mentioned that he initially offered "Don't Let Daddy Kiss Me" to Joan Jett and Lita Ford, believing it would suit a female vocalist.

04

I Am The Sword

The lyrical themes explored range from social criticism in "On Your Feet or on Your Knees," to war in "Death or Glory" and "I Am the Sword," as well as child abuse in "Don't Let Daddy Kiss Me," and the chaotic nature of life in "Burner." Lemmy has mentioned that he initially offered "Don't Let Daddy Kiss Me" to Joan Jett and Lita Ford, believing it would suit a female vocalist.

05

Born To Raise Hell

The song "Born to Raise Hell" was later re-recorded with Ice-T and Ugly Kid Joe's Whitfield Crane and featured in the film Airheads.

Then

Reception

The lyrical themes explored range from social criticism in "On Your Feet or on Your Knees," to war in "Death or Glory" and "I Am the Sword," as well as child abuse in "Don't Let Daddy Kiss Me," and the chaotic nature of life in "Burner." Lemmy has mentioned that he initially offered "Don't Let Daddy Kiss Me" to Joan Jett and Lita Ford, believing it would suit a female vocalist.

Full background

The Complete Album Story

"Bastards" is the eleventh studio album by British rock band Motörhead, released on October 11, 1993, via ZYX Music. This album marks the first full studio appearance of drummer Mikkey Dee, who had previously played as a guest on the band's prior album.

The album is significant as it features the short-lived lineup of Lemmy, Würzel, Zööm, and Mikkey Dee. It was the first of four Motörhead albums produced by Howard Benson and notably does not contain a title track. After the band's attempt to capitalize on the success of their previous album, 1916, with 1992's March ör Die, they returned to their roots with a louder and faster sound. The lyrical themes explored range from social criticism in "On Your Feet or on Your Knees," to war in "Death or Glory" and "I Am the Sword," as well as child abuse in "Don't Let Daddy Kiss Me," and the chaotic nature of life in "Burner." Lemmy has mentioned that he initially offered "Don't Let Daddy Kiss Me" to Joan Jett and Lita Ford, believing it would suit a female vocalist.

Despite being cited by the band as one of their best works, Bastards had limited release outside Germany until its 2001 reissue by Steamhammer. In the documentary The Guts and the Glory, guitarist Phil Campbell expresses pride in the album's hard work and production quality, while Lemmy, in his autobiography White Line Fever, reflects positively on the album but expresses disappointment over its lack of promotion by ZYX.

The song "Born to Raise Hell" was later re-recorded with Ice-T and Ugly Kid Joe's Whitfield Crane and featured in the film Airheads. The album cover, created by Joe Petagno, was initially designed for a different title, Devils. Petagno's frustration with the cover of March ör Die inspired a more compelling design for Bastards, which Lemmy ultimately chose for the album.

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