Maladjusted
by Morrissey
Released: August 11, 1997
Alternative rock, indie pop, pop rock
Why This Album Matters
This album matters because its strongest editorial story is: Genre Shift.
The Album
"Maladjusted" is the sixth studio album by English singer Morrissey, released on 11 August 1997 by Island Records. Maladjusted was Morrissey's attempt to integrate the torch songs he experimented with on Vauxhall and I with the indie rock of his earlier career. In addition to "Alma Matters", the tracks "Trouble Loves Me", "Ammunition", and "Wide to Receive" stand out as reminiscent of the Vauxhall and I era.
Interesting Facts
The album caused a small amount of controversy…
The album caused a small amount of controversy over what was to be the penultimate track.
Entitled "Sorrow Will Come in the End", it…
Entitled "Sorrow Will Come in the End", it featured Morrissey intoning, rather than singing, over a backing of manic strings and the beat of a judge's gavel.
The song is clearly about the Mike Joyce…
The song is clearly about the Mike Joyce royalties dispute and lyrically takes the form of an extended threatening message to him and his representatives: "Don't close your eyes/Don't ever close your eyes/A man who slits throats/Has time on his hands/And I'm gonna get you." Island Records, Morrissey's label at the time, dropped the track from UK versions of the album for fear of libel action.
Joyce, for his part, said of the song…
Joyce, for his part, said of the song, "I just found it funny.
If Lemmy had written it, I might be…
If Lemmy had written it, I might be concerned." On the inside sleeve of the LP is printed "John Bindon 1943–1993", a reference to the English actor and bodyguard who had close links with the London underworld.
Essential Tracks
Maladjusted
"Maladjusted" is the sixth studio album by English singer Morrissey, released on 11 August 1997 by Island Records.
Trouble Loves Me
In addition to "Alma Matters", the tracks "Trouble Loves Me", "Ammunition", and "Wide to Receive" stand out as reminiscent of the Vauxhall and I era.
Alma Matters
In addition to "Alma Matters", the tracks "Trouble Loves Me", "Ammunition", and "Wide to Receive" stand out as reminiscent of the Vauxhall and I era.
Ammunition
In addition to "Alma Matters", the tracks "Trouble Loves Me", "Ammunition", and "Wide to Receive" stand out as reminiscent of the Vauxhall and I era.
Wide To Receive
In addition to "Alma Matters", the tracks "Trouble Loves Me", "Ammunition", and "Wide to Receive" stand out as reminiscent of the Vauxhall and I era.
Explore the Album
Morrissey - Maladjusted
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Reception
On release, the album received a lukewarm reception from fans and critics alike, and was Morrissey's last studio album for seven years, until 2004's You Are the Quarry.
The Complete Album Story
"Maladjusted" is the sixth studio album by English singer Morrissey, released on 11 August 1997 by Island Records.
On release, the album received a lukewarm reception from fans and critics alike, and was Morrissey's last studio album for seven years, until 2004's You Are the Quarry.
Maladjusted was Morrissey's attempt to integrate the torch songs he experimented with on Vauxhall and I with the indie rock of his earlier career. In addition to "Alma Matters", the tracks "Trouble Loves Me", "Ammunition", and "Wide to Receive" stand out as reminiscent of the Vauxhall and I era.
The album caused a small amount of controversy over what was to be the penultimate track. Entitled "Sorrow Will Come in the End", it featured Morrissey intoning, rather than singing, over a backing of manic strings and the beat of a judge's gavel. The song is clearly about the Mike Joyce royalties dispute and lyrically takes the form of an extended threatening message to him and his representatives: "Don't close your eyes/Don't ever close your eyes/A man who slits throats/Has time on his hands/And I'm gonna get you." Island Records, Morrissey's label at the time, dropped the track from UK versions of the album for fear of libel action. Joyce, for his part, said of the song, "I just found it funny. If Lemmy had written it, I might be concerned."
On the inside sleeve of the LP is printed "John Bindon 1943–1993", a reference to the English actor and bodyguard who had close links with the London underworld.
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