Anatomy of a Murder
by Duke Ellington
Released: July 02, 1959
Jazz
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"Anatomy of a Murder" is a jazz album by Duke Ellington, released in 1959. It serves as the soundtrack for the film of the same name, directed by Otto Preminger and based on the novel by Robert Traver. The movie is a courtroom drama that was groundbreaking for its candid approach to legal and sexual issues at the time.
Interesting Facts
Duke Ellington, a pivotal figure in jazz history…
Duke Ellington, a pivotal figure in jazz history, composed the score, marking one of the first times an African American composer wrote the complete score for a major motion picture.
The music contributes significantly to the mood and…
The music contributes significantly to the mood and atmosphere of the film, reflecting its tension and drama through Ellington's lush orchestration and innovative jazz themes.
The album is renowned not only for its…
The album is renowned not only for its quality as a standalone jazz record but also for how it enhances the cinematic experience of the film.
Tracks like "Main Title and Anatomy of a…
Tracks like "Main Title and Anatomy of a Murder" and "Flirtibird" highlight Ellington’s prowess in combining bluesy elements with sophisticated big band arrangements.
This project showcased Ellington’s ability to transcend the…
This project showcased Ellington’s ability to transcend the boundaries of traditional jazz, integrating it with cinematic storytelling, and remains a celebrated work in both the jazz and film industries.
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The Complete Album Story
"Anatomy of a Murder" is a jazz album by Duke Ellington, released in 1959. It serves as the soundtrack for the film of the same name, directed by Otto Preminger and based on the novel by Robert Traver. The movie is a courtroom drama that was groundbreaking for its candid approach to legal and sexual issues at the time.
Duke Ellington, a pivotal figure in jazz history, composed the score, marking one of the first times an African American composer wrote the complete score for a major motion picture. The music contributes significantly to the mood and atmosphere of the film, reflecting its tension and drama through Ellington's lush orchestration and innovative jazz themes.
The album is renowned not only for its quality as a standalone jazz record but also for how it enhances the cinematic experience of the film. Tracks like "Main Title and Anatomy of a Murder" and "Flirtibird" highlight Ellington’s prowess in combining bluesy elements with sophisticated big band arrangements.
This project showcased Ellington’s ability to transcend the boundaries of traditional jazz, integrating it with cinematic storytelling, and remains a celebrated work in both the jazz and film industries.
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