State of Euphoria by Anthrax

State of Euphoria

by Anthrax

Released: September 19, 1988

Thrash metal

musicOnOff editorial

Why This Album Matters

This album matters because its strongest editorial story is: Breakthrough.

01

The Album

"State of Euphoria" is the fourth studio album by American heavy metal band Anthrax, released on September 19, 1988, through Megaforce/Island Records. Notable tracks include the singles "Who Cares Wins," addressing homelessness, and a cover of the French band Trust's "Antisocial," both accompanied by music videos. Lyrically, the album features a mix of socially and politically charged content.

02

Inside the Recording

The album was produced by the band with Mark Dodson, known for his work with Judas Priest and Metal Church, and engineered by Alex Perialas.

Stories and details

Interesting Facts

"Misery Loves Company" is inspired by Stephen King's…

"Misery Loves Company" is inspired by Stephen King's novel Misery, while "Now It's Dark" draws from the film Blue Velvet, particularly the character Frank Booth, portrayed by Dennis Hopper.

"Make Me Laugh" critiques televangelism, focusing on figures…

"Make Me Laugh" critiques televangelism, focusing on figures like Jim and Tammy Fae Bakker.

Drummer Charlie Benante composed most of the music…

Drummer Charlie Benante composed most of the music, while rhythm guitarist Scott Ian wrote the lyrics.

The album also includes a parody of the…

The album also includes a parody of the band on the back cover, drawn by Mad magazine caricaturist Mort Drucker.

Many tracks, aside from "Be All, End All"…

Many tracks, aside from "Be All, End All" and "Antisocial," were rarely played live after the album's supporting tour.

Then

Reception

State of Euphoria was a commercial success, reaching No. 30 on the Billboard 200 chart and achieving Gold certification from the RIAA in February 1989. While it achieved commercial success, it was seen as falling short of the high expectations set by its predecessors, Spreading the Disease and Among the Living. Upon its release, State of Euphoria received mixed reviews.

Full background

The Complete Album Story

"State of Euphoria" is the fourth studio album by American heavy metal band Anthrax, released on September 19, 1988, through Megaforce/Island Records. The album was produced by the band with Mark Dodson, known for his work with Judas Priest and Metal Church, and engineered by Alex Perialas. State of Euphoria was a commercial success, reaching No. 30 on the Billboard 200 chart and achieving Gold certification from the RIAA in February 1989. Notable tracks include the singles "Who Cares Wins," addressing homelessness, and a cover of the French band Trust's "Antisocial," both accompanied by music videos.

Lyrically, the album features a mix of socially and politically charged content. "Misery Loves Company" is inspired by Stephen King's novel Misery, while "Now It's Dark" draws from the film Blue Velvet, particularly the character Frank Booth, portrayed by Dennis Hopper. "Make Me Laugh" critiques televangelism, focusing on figures like Jim and Tammy Fae Bakker. Drummer Charlie Benante composed most of the music, while rhythm guitarist Scott Ian wrote the lyrics. The album also includes a parody of the band on the back cover, drawn by Mad magazine caricaturist Mort Drucker.

Upon its release, State of Euphoria received mixed reviews. While it achieved commercial success, it was seen as falling short of the high expectations set by its predecessors, Spreading the Disease and Among the Living. Many tracks, aside from "Be All, End All" and "Antisocial," were rarely played live after the album's supporting tour. The band has since expressed mixed feelings about the album, with Benante stating they felt it was not properly finished.

In support of the album, Anthrax toured extensively throughout 1988 and 1989, including European dates with Iron Maiden, opening for Ozzy Osbourne in the U.S., and a headlining tour in the U.S. during the Headbangers Ball Tour. Despite the mixed reception, State of Euphoria remains a significant part of the band's discography, representing their continued growth in the thrash metal scene.

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