"Acid Motherhood" is the 37th studio album by progressive rock band Gong, released in 2004. The album is notable because it represents a collaboration with members of the Acid Mothers Temple. The band for this album consisted of Daevid Allen, Gilli Smyth, Josh Pollock, Kawabata Makoto, Cotton Casino, and Yoshida Tatsuya.
The music on "Acid Motherhood" integrates Gong's traditional sound with the experimental psych-rock style of Acid Mothers Temple, giving the album a sound that stands apart from much of Gong's previous productions. It may be considered a hybrid of space rock, progressive rock, and avant-garde music, with an improvisational feel.
However, there isn't a lot of information about how the collaboration came about or how it was received. The album wasn't as widely praised as some of Gong's earlier works, but it still has its supporters and has been praised for its willingness to experiment and push the boundaries of Gong's sound.
Despite the changes in Gong's line-up over the years, they have remained a consistent force in the world of progressive rock and "Acid Motherhood" is a testament to their ability to evolve and adapt while maintaining their unique musical identity.
