"Soon Over Babaluma" is the fifth studio album by the avant-garde rock group Can, marking a significant transition for the band following the departure of their iconic frontman Damo Suzuki in 1973. With this album, the vocal duties shifted to guitarist Michael Karoli and keyboardist Irmin Schmidt, who brought their unique styles to the forefront. Notably, this album was also the last to be recorded using a two-track tape recorder, a technique that had defined much of Can's earlier work.
The sound of Soon Over Babaluma continues the ambient explorations initiated in their previous album, Future Days, but ventures even deeper into experimental territory. Tracks like "Quantum Physics" exemplify this immersive soundscape, pushing the boundaries of ambient music, while more upbeat selections like "Chain Reaction" and "Dizzy Dizzy" showcase the band's versatility and knack for rhythm.
In terms of reception, the album garnered a variety of reviews, reflecting its complex and innovative nature. For example, in his review for Pitchfork, Dominique Leone emphasized the clarity and detail in the album's production, suggesting that it feels as if the band recorded it in a single, inspired session. This attention to detail is a hallmark of Can’s work, illustrating how every moment can impact the overall piece. Leone expressed a bittersweet sentiment, acknowledging that while the album represents Can's last great effort, it showcases their sound at its most refined.
Ned Raggett of Allmusic praised the division of vocal responsibilities between Karoli and Schmidt, noting their decision to forge their own paths rather than mimic Suzuki’s style. He awarded the album four stars out of five, recognizing its artistic evolution. Conversely, Robert Christgau, writing for The Village Voice, critiqued the album's "singularly European" sound, comparing it unfavorably to Miles Davis's 1970s electric period. He pointed out that while the music avoids being pompous, it lacks the depth and texture that can elevate a listening experience.
Douglas Wolk, in The Rolling Stone Album Guide, described the album as mellow and occasionally timid, but highlighted "Chain Reaction" as a standout track, suggesting it foreshadowed the techno sounds of the 1990s. This indicates how Can’s influence transcended their time, hinting at their lasting impact on music.
The track listing includes contributions from Holger Czukay, Michael Karoli, Jaki Liebezeit, and Irmin Schmidt, showcasing the collaborative spirit that defined Can's approach to music-making. Each member's unique perspective enriched the album's overall sound, making it a noteworthy addition to their discography and a significant moment in the evolution of experimental rock.
