"The Gospel According to The Meninblack" is the fifth studio album by the British rock band The Stranglers, released in 1981. It represents a departure from the band's earlier punk rock sound, incorporating elements of new wave, post-punk, and experimental music.
The album's concept revolves around themes of conspiracy theories, extraterrestrial visitations, and religious mysticism, inspired by the band's interest in esotericism and the paranormal. The Meninblack of the album's title refers to mysterious figures the band claimed to have encountered, possibly extraterrestrial in origin.
Musically, "The Gospel According to The Meninblack" features a darker and more atmospheric sound compared to The Stranglers' previous albums. The band experimented with synthesizers, electronic effects, and unconventional song structures, creating a sense of tension and unease throughout the album.
Tracks like "Waltzinblack," "The Meninblack (Waiting for 'Em)," and "Two Sunspots" exemplify the album's brooding atmosphere and enigmatic lyrics. The album's production is slick and polished, with layered instrumentation and intricate arrangements adding to its mystique.
Upon its release, "The Gospel According to The Meninblack" received mixed reviews from critics, with some praising its ambition and innovation, while others found it overly pretentious and indulgent. Despite its divisive reception, the album has since gained a cult following among fans of The Stranglers and remains a unique and intriguing chapter in the band's discography.
