"Floodland" is the second studio album by the English gothic rock band the Sisters of Mercy, released on November 16, 1987. Following the departure of key members Craig Adams and Wayne Hussey after the band's debut album, First and Last and Always (1985), Andrew Eldritch continued the project, forming a side band, the Sisterhood, before ultimately regrouping the Sisters of Mercy with new member Patricia Morrison.
The album, which was largely written by Eldritch in Hamburg, incorporates a recurring theme of water, influenced by the city's extensive waterways. Produced with Jim Steinman on tracks like "This Corrosion" and "Dominion / Mother Russia", Floodland is characterized by its mix of gothic rock and dark wave, with Eldritch composing most of the music using computers, sequencers, and drum machines. The album features minimal input from Morrison, despite her being hired to play bass.
Floodland was a commercial success, reaching number 9 on the UK Albums Chart and going gold in the UK. Singles like "This Corrosion" and "Lucretia My Reflection" were successful, with "This Corrosion" hitting number 7 on the UK Singles Chart. Although initially receiving mixed reviews, it has since been recognized as a seminal album in the gothic rock genre.
Lyrically, Floodland reflects Eldritch's personal experiences, geopolitical concerns (including the aftermath of the Chernobyl disaster), and reflections on his band’s breakup. Notable tracks like "This Corrosion" serve as a parody of the songwriting style of former bandmate Wayne Hussey, while songs like "1959" are more introspective, referencing Eldritch's own life and relationships. The album remains a significant influence in the gothic rock scene.
