"In the Flat Field" is the debut studio album by English gothic rock band Bauhaus, released on November 7, 1980, by 4AD. This album is often seen as one of the first gothic rock albums, showcasing a distinctive dark sound and aesthetic that would influence the genre. The recording took place at Southern Studios in Wood Green, London, following a 30-date tour. Bauhaus had a clear vision for the album's sound and decided to produce it themselves, much like a chef who insists on crafting every dish to perfection. Although most of the album was ready by the initially planned release date of September 1980, the band faced challenges in capturing a satisfactory version of the track "Double Dare," which they had performed live on DJ John Peel's BBC Radio 1 program. They sought permission from the BBC to use the Peel session version but encountered delays due to regulations, similar to trying to cross a river with a strong current holding you back.
The album features a dark and atmospheric sound, with influences from contemporaries like Siouxsie and the Banshees and Joy Division. NME's Andy Gill noted the album's evocative ambiance, while AllMusic critic Ned Raggett highlighted the glam rock influences in Peter Murphy's vocal style, comparing him to Iggy Pop and David Bowie. The album culminates in a dramatic finale with the track "Nerves," much like a suspenseful film building to a thrilling climax.
Upon its release, In the Flat Field received mixed reviews from UK critics but achieved commercial success on the independent charts, topping the UK Independent Albums Chart and reaching No. 72 on the UK Albums Chart for one week. The album was initially released on CD by 4AD in April 1988, which included eight bonus tracks, featuring singles like "Dark Entries" and a cover of T. Rex's "Telegram Sam." On October 19, 2009, 4AD and Beggars Banquet reissued the album as an "Omnibus Edition," which included a remastered version of the original album along with a bonus disc of singles, outtakes, and alternate recordings. This edition came packaged with a 48-page book featuring band member comments, photos, lyrics, and an essay about the band’s origins and the album's creation.
The album cover features Duane Michals' 1949 photograph, Homage to Puvis de Chavannes, adding to the visual depth of the album’s gothic aesthetic. Overall, In the Flat Field stands as a landmark release in the gothic rock genre, much like a cornerstone in a grand cathedral, cementing Bauhaus's place in music history.
