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Randy Newman


"Sail Away" is the fourth studio album by American singer-songwriter Randy Newman, released in May 1972. The album features a diverse envelope of musical styles and themes, from gospel and ragtime to orchestral pop and New Orleans R&B. The album is known for its mordant and often dark humor, addressing topics such as slavery, American history, and international politics. "Sail Away" consists of 12 tracks including the title track, "Sail Away", as well as other noteworthy songs such as "Lonely at the Top" and "Burn On". This body of work has been lauded as a satire and commentary on American life, making it one of Newman's most acclaimed albums. Fans and critics alike acclaim the album’s title song, “Sail Away,” described as a biting commentary on the slavery era, sung in the character of a slave trader enticing Africans to board his ship and enjoy the supposed grandeur of life in America. The album also contains "You Can Leave Your Hat On" which was later covered by several artists including Joe Cocker and Tom Jones. After over four decades since its release, Sail Away has continued to attract praise. Many regard it as an evergreen classic that is profound yet accessible, humorous yet thought-provoking. Indeed, it has helped to cement Randy Newman's reputation as an insightful and original songwriter. Despite its themes, Newman's musical originality shines throughout the album, as he uses his mastery of various American music styles to create a rich tapestry of sound. Newman produces all tracks on the album and plays piano, while other instruments were added by a host of contributing musicians. Contributions from notable musicians include Ry Cooder and Clarence White, contributing to the album's guitar work, and Milt Holland and Jim Gordon, who provided drums and percussion. "Sail Away" managed to make an impact despite its atypical subject matter, helping to secure Newman's position as one of the foremost singer-songwriters of his generation. Despite not being a chart hit, the album has endured and has often appeared in retrospective "best of" lists recognizing the standout albums of the 1970s. It is generally considered one of Randy Newman's best works and continues to be appreciated by critics and audiences.